VR Design and Modeling with Quill
We paint the character
A course by Federico Moreno Breser , Animation Director and Digital Artist
About the video: We paint the character
Overview
“In this lesson, we will finish creating the character. We already have it modeled, now it is important that we paint it and give it the color details we want. We are going to learn the different ways and processes to be able to paint in Quill.”
In this video lesson Federico Moreno Breser addresses the topic: We paint the character, which is part of the Domestika online course: VR Design and Modeling with Quill. Transform the way you work in 3D by creating characters and scenes with the power of virtual reality.
Partial transcription of the video
“We paint the character We will continue with the creation of the character. We will move on to the important part that has to do with painting. We will learn to give it color, to paint effects and working the paint module in Quill. The tools for painting are in the main menu, In the Tools tab, the Colorize option. Once that function is selected, we have a strength or intensity bar, and the Blending modes that we can apply to the brush. We see that when we select the tool for color, to paint, it is seen, unlike when the Paint Brush is, which is a solid color, when we paint we can distinguish...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: VR Design and Modeling with Quill
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Category
3D & Animation -
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine -
Areas
3D, 3D Animation, 3D Modeling, Character Design
Federico Moreno Breser
A course by Federico Moreno Breser
Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.
He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.
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- 1,192 students
- 28 lessons (5h 5m)
- 23 additional resources (11 files)
- Online and at your own pace
- Available on the app
- Audio: Spanish
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- Level: Beginner
- Unlimited access forever
Adobe Photoshop
OctaneRender
Oculus Quill
Unreal Engine
