Learn the history of the jazz record label that has been defining jazz’s aesthetic and sound since 1939
Imagine a classic jazz record sleeve.
Chances are you’re imagining a smartly cropped photo of a sharply dressed black man with his instrument. The photography gives off a sense of action; maybe there is more than one image from the same moment, giving a sense of illusion. The cover isn’t a black and white photo but two-tone, the darker parts of the image contrasting with a blue, green, or orange maybe. A compact and creatively placed typography tells you who the artists are. The final touch: the simple and elegant logo of Blue Note records, the finest in jazz since 1939.
Blue Note was founded by two Jewish German immigrants who came over to America, saw this new movement that African Americans were pioneering, and realized they needed to document it. Those two men were photographer Francis Wolff and Alfred Lion. The record label would set the tone for jazz, specifically hard bop, it’s aesthetic, and it’s development, for what is now approaching eight decades.
The label was one of a flurry of others, including HRS the year before and Commodore the year before that. Those behind the companies were initially hobbyists but the labels that stuck were the work of people who quickly got wise to the challenges of the record industry.
