Character Modelling in Maya

Postproduction in Photoshop II

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

· ·

About the video: Postproduction in Photoshop II

Overview

“”

In this video lesson Fer Aguilera Reyes addresses the topic: Postproduction in Photoshop II, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“Then I continued with the horns. The same thing, because I already made these contrasts, in the body, in fact they can see the difference that way. And now I'm going to start putting these contrasts on the horns, start with some ambient super heavy occlusion. Here I simply lowered a little the lightness and saturated it again. Here I just made a variation, so little purple this part let me upload it, just put it normal, and I'll upload it to 100%. Here I am doing just a gradient of purple and that it disappears. How do I make that gradient? Here in the cubetita, change to gradient tool, I p...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.