Character Modelling in Maya

Rig of the Feathers

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

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About the video: Rig of the Feathers

Overview

“Let's start to make the feathers rig.”

In this video lesson Fer Aguilera Reyes addresses the topic: Rig of the Feathers, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“[Music] Well, let's start the unit that can be said ... which is the longest of all, where we're going to ... riggear our characters and the feathers. We're going to pose everything that we already have. And we're going to finish the last little details ... and then go to render. Let's start now with the rig of the feathers ... which is the simplest before to enter with the character. [Music] And so good is a super simple rig ... simply to be able to accommodate our feathers. Later we are going to make one also to be able to accommodate ... our components that we already have modeled. And w...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.