Character Modelling in Maya

materials

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

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About the video: materials

Overview

“Time to create the necessary materials for our render.”

In this video lesson Fer Aguilera Reyes addresses the topic: materials, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“In this lesson I want you show the different materials you use in the project and its different variations Well now you can see as well as my materials are left in the render view normal, I'm liking it like it looking like this but capable in photoshop I'm going to download it the range to work it a bit with more contrast made me I like it more like looking like this, but for now work with this value of one that I made little details to my scene there it goes, well I put a little bit more my lights the HRI what I have in 0.2, the lights let's see I have them in 15, and this will lower a bit...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.