Character Modelling in Maya

The horns

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

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About the video: The horns

Overview

“Here we will model the horns of the character from curves.”

In this video lesson Fer Aguilera Reyes addresses the topic: The horns, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“[Music] In this lesson we are going to finish the last object ... that we need in pose T, which are the horns ... and I will take advantage of that we have been working with ... curves to teach them a trick that has helped me. [Music] The horns were actually going to do ... along with a curve tutorial for the tubes as well. But I've decided that is the best idea ... have them as separate pieces ... that at the end they use different techniques. Right now I'm going to hide the cones that I just finished. And another little detail that I have not taught ... no more I made a simple super base ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.