Character Modelling in Maya

Body Rig II

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

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About the video: Body Rig II

Overview

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In this video lesson Fer Aguilera Reyes addresses the topic: Body Rig II, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“(music) Here I see that he is pointing you like this, how can I do it so that my curve grabs this movement. Very easy. Right now I have a new group with a control inside. If I select the group with shift selected, select the joint and press P, now this group is preempted to this bone. And here you can see that they changed all their translations, rotations, and so on. If all this came to put to zero, see how it moves. And see how my control fits. So, now I ungroup. And here you can see that my control is at zero, but my group has all the translations and rotations. Right now it would be bet...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.