Character Modelling in Maya

Postproduction in Photoshop

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,671 students

Audio: Spanish

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About the video: Postproduction in Photoshop

Overview

“Now, to finish, we will import our passes to Photoshop and we will give the final adjustments to our render. ”

In this video lesson Fer Aguilera Reyes addresses the topic: Postproduction in Photoshop, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“In this last lesson, we are going to import our passes and our photoshop view and we are going to make the final adjustments. Well, I wanted to show you how it is that leaves the maya render and how it looks at the end with the postproduction. can see that I added some little details, as well as a little more textures, so with photos, I exaggerated some lights, and then I went all the colors. I'm going to explain what I do with the passes and how I apply all these tricks. The first thing I did was import all my passes the inaudible), ambient occlussion, id1 and id2. These are going to alway...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3671 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.