Character Modelling in Maya

Body Rig I

A course by Fer Aguilera Reyes , Illustrator and 3D Generalist

98% positive reviews (195)

3,670 students

Audio: Spanish

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About the video: Body Rig I

Overview

“Since we did the rigging of the feathers, it is the body's turn.”

In this video lesson Fer Aguilera Reyes addresses the topic: Body Rig I, which is part of the Domestika online course: Character Modelling in Maya. Learn to conceptualize and illustrate characters in 3D.

Partial transcription of the video

“Since we finished the rig of the feathers now we are going to ... start the most important rig that is the one of the body. It's an extra step, the truth makes us able ... pose the character, just selecting ... things and moving them, but ... me I prefer to do rig, believe me who does a lot more help. in that rig that is moving things ... to make different changes. [Music] Here we're going to make a rig ... very, very simple ... we're just going to use it to pose ... the character , this rig the truth has ... many problems to be encouraged. To be able to do an animated rig we have to do a l...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Character Modelling in Maya

Level: Intermediate
98% positive reviews (195)
3670 students
6 units
26 lessons (5h 19m)
6 downloads

Category
3D & Animation
Software
Adobe Photoshop, Maya
Areas
3D, 3D Modeling

Fer Aguilera Reyes

A course by Fer Aguilera Reyes

Teacher Plus

Illustrator and 3D Generalist

Fernando Aguilera is an illustrator and 3D artist. His works are characterized by his use of color and exaggerated figures.

Fernando is passionate about 3D illustration. He is fascinated by the freedom that modeling gives him when it comes to discovering new processes and tools. In fact, his work process differs depending on the project at hand, since he focuses more on the idea and how to carry it out than on continuously polishing the same technique.

Throughout his career as a 3D artist and illustrator, he has worked in different fields. At Rockstar VFX he collaborated with the advertising department, at Zebra Studio he developed his work as a 3D generalist, at Lienzo he modeled for video games, and at Huevo Cartoon he worked as a lightning artist.