Creation of 3D Scenes from Scratch in Maya
Style
A course by Albert Valls Punsich , 3D Artist
Joined November 2015
About the video: Style
Overview
“I will show you another of the essential rules before we start modeling and preparing a set dressing library, deciding on the style of our elements. Do we want to be true to reality to represent a VFX stage? Do we want to deform the shapes lot to get the most out of the cartoon ? Do we want to do a moderate scenario? This decision is also of utmost importance, since it will define our environment .”
In this video lesson Albert Valls Punsich addresses the topic: Style, which is part of the Domestika online course: Creation of 3D Scenes from Scratch in Maya. Work on a scene's set dressing starting from the idea, to the blocking and composition, up to the final render.
Partial transcription of the video
“STYLE Now you must decide what style you will use to create your "environment". The style can be hyper realistic, more shooting at special effects, you can shoot "cartoon" style or simply a stylized halfway between the two. There really are many different styles and you have to adapt to the one you like the most. Remember that to get style references you can go back to reference images that we find in the first lessons. Let me show you some examples of style. I will show you some examples so you can decide your style. You already have the level of detail, now we are going for the style. The...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Creation of 3D Scenes from Scratch in Maya
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Category
3D & Animation -
Software
Maya -
Areas
3D, 3D Design, 3D Modeling
Albert Valls Punsich
A course by Albert Valls Punsich
From a very young age, Albert Valls was very interested in cinema and art, devouring films, books, manga, and comics all the time. This led him to dream that one day he could create those fantastic worlds he enjoyed so much. Following his passion, he studied Audiovisual and Multimedia Art, and then entered the digital world of 3D, becoming a 3D generalist.
Specializing in modeling and scenario creation for VFX, animation, and television, he has worked both nationally and internationally for several studios. Among which stands out his work in Framestore for big productions such as Avengers: Infinity War, Thor: Ragnarok, and Fantastic Beasts: The Crimes of Grindelwald.
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