• Illustration Tutorial: How to Tackle the Blank Page
    Teacher Illustration

    Illustration Tutorial: How to Tackle the Blank Page

    Adolfo Serra shares three drawing exercises that will get your pencil moving and help you to overcome a creative block Illustrator Adolfo Serra (@adolfoserra) insists that you should never obsess over what the final image will look like and, instead, keep trying until you achieve something that feels fresh. Here he shares three ways to unleash your creativity when you’re experiencing a creative block, let your pencil and mind soar free, and create something special.

  • Domestika Creatives: Jordi Labanda

    Domestika Creatives: Jordi Labanda

    The renowned illustrator opens the doors to his studio to talk to us about his universe and creative process His first job in Spain was for the newspaper La Vanguardia was "a dream come true". The paper was iconic to him, a place where great illustrators lined its pages. This collaboration started in 1994 and continues to this day in the paper’s Sunday supplement. Its beginning was a pivotal moment in Jordi’s career. From then on, his characters began to form part of the collective imagination, establishing the Jordi Labanda universe. After a professional career of 25 years, Jordi Labanda (Uruguay, 1968) defines himself as an artist by commission. He currently works with publications like Vogue Japan and Harper’s Bazaar and his illustrations have covered magazines like Vogue USA and The New York Times. He has also collaborated with huge companies such as Louis Vuitton and Tommy Hilfiger, to name a few. Sat in his studio, Jordi explains his trajectory, his working methods, his characters and the key to being a good illustrator.

  • What Is a Creative Portfolio and What Should It Include?

    What Is a Creative Portfolio and What Should It Include?

    Discover how to create a portfolio that draws the attention of prospective clients In all creative fields—especially those that are visually-led—a good portfolio will open doors to new clients and employers. It is therefore essential that you present your work well, and that your portfolio is a good representation of what you can do. So, what exactly is a portfolio? What should it include? Here, Sandra López—one of the founders of the first-ever illustration agency in Spain, Pencil·Ilustradores (@pencil)—answers all of your questions and explains exactly what a creative portfolio sets out to achieve.

  • Domestika Creatives: Marly Gallardo

    Domestika Creatives: Marly Gallardo

    We chat with the vector artist about growing up, what inspires her, and her creative process Full of energy, charismatic, and open. Meet Marly Gallardo. Born in Ecuador and raised in New York, the artist says she’s addicted to metropolises and finds herself strangely drawn to them. She creates vector illustrations–a format which has become her trademark. Her work has appeared in campaigns and editorial publications for The New York Times, United Nations, Microsoft, Apple, Netflix, Adobe and more.

  • 15 Essential Shortcuts for Mastering Illustrator

    15 Essential Shortcuts for Mastering Illustrator

    Learn the best shortcuts for speeding up and improving your workflow with Adobe Illustrator Most illustrators, designers, and artists will already be familiar with Adobe Illustrator. However, to really master the program, it’s important to learn these shortcuts. They will help you to move around the keyboard and interface quicker and increase your productivity. Adobe Illustrator also allows you to add and personalize shortcuts to fit your needs. Anyone who works with Illustrator should know these 15 shortcuts inside out. Download below a PDF with the shortcuts. Essential tools All of the following commands are activated at the touch of just one letter key, allowing you to execute them quickly. Resize: Free Transform tool (E) and Scale tool (S) These tools are for changing the size of selected objects. The first, the free transform tool, allows you to alter the proportions of the object in a way that distorts the original shape. The scale tool enlarges or reduces the size of the object horizontally (along the x axis), vertically (along the y axis), or both. Select: Direct Selection tool (A) and Selection tool (V) The first lets you select individual anchor points or path segments by clicking on them individually, or select an entire path or group by selecting any other point on the item. You can also select one or various objects from a group. The second shortcut lets you select objects and groups by clicking or dragging over them. You can also select groups within groups and objects within groups. Magic Wand tool (Y) This is a magic wand that can automatically select objects of the same color, stroke weight, stroke color, opacity, or blending mode with one click. Rotate tool (R) This tool is for rotating an object around a fixed point. The default reference point is the center point of the object. To change the rotation point, you just have to click where you want to move it to. Live Paint Bucket tool (K) This is an intuitive way to create illustrations with color. It allows you to use the full range of Illustrator’s vector drawing tools, but treats all the paths you draw as though they are on the same flat surface. Pen tool (P) The Pen tool is the most useful and versatile vector drawing tool. You can use it to choose how many anchor points your path will have and their positions. You also can decide whether they have jagged or rounded corners. Hand tool (H) The hand tool is useful for moving around the area you are zoomed in on. It makes working much easier. Paintbrush tool (B) The paintbrush tool allows you to click and drag to create a pathway to which predefined vector artwork is applied.

  • Dos and Don’ts for Writing Children’s Books

    Dos and Don’ts for Writing Children’s Books

    Tips from an expert in children’s literature to help you improve your stories for little ones They say that to write children’s books you need to revert to being a child, free your imagination, let yourself be surprised, and above all, play with the story. For more than 17 years, Natalia Méndez (@natumendez) has been transforming her ideas into books for children. She’s an expert at understanding how to create and edit wonderful stories through play; how to extract a story from an initial idea and develop it into a book. She has edited books since 2002. She is also an author, a professor specializing in children’s literature, and works for the children’s and young adult fiction department of the publishing house, Edelvives Argentina. Drawing on her vast experience and extensive knowledge, here Natalia Méndez shares some tips to help us think about why we want to write for children, how to better understand children’s literature, and some ideas for how to make your stories appeal to little ones.

  • Illustration Tutorial: 5 Basic Tips on How to Shade with Ink

    Illustration Tutorial: 5 Basic Tips on How to Shade with Ink

    5 basic tips from Sergio Bleda on how to shade with ink and take light into account Shading gives depth to your drawings: it makes something flat, three-dimensional. Inking and shading are fundamental components of the process of designing a comic. They help us place an object or character, illustrating the space in which they are found and helping the viewer understand where the light is coming from. Cartoonist and illustrator Sergio Bleda (@sergibleda) shares his tips and tricks on how to shade like an expert with India ink. All you need are: two synthetic brushes (number 1 and number 2), 300gsm Canson paper, and Winsor & Newton India ink.