Animating 3D Cartoon Characters in Blender
Third pass: polish and child element animation 2
A course by Ulises Cervantes , 3D Character Animator and Artist
Joined July 2019
About the video: Third pass: polish and child element animation 2
Overview
“You already have practically a deliverable and good quality result, but you still need to review details, especially the look! To finish, I will explain how to eliminate noise in the movement. ”
In this video lesson Ulises Cervantes addresses the topic: Third pass: polish and child element animation 2, which is part of the Domestika online course: Animating 3D Cartoon Characters in Blender. Learn to bring cartoon-style characters to life through their poses, gestures, and actions using fun and effective tools .
Partial transcription of the video
“It's good to leave a small range of animation after your final line. Indeed. studios occasionally request adding 2. 3. or even 5 extra frames. This can aid in interpolating elements. creating a pose that gives the impression of ongoing movement. It enhances the fluidity and Moreover. it's beneficial for motion blur during rendering. as it interpolates between frames. An abrupt cutoff can appear odd. so adding a few extra frames is essential. This ensures smoother transitions and We are missing the nose. that's going to be an important detail. because it smells and can breathe occasionally. ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Animating 3D Cartoon Characters in Blender
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Category
3D & Animation -
Software
Blender -
Areas
3D, 3D Animation, Animation, Character Animation

Ulises Cervantes
A course by Ulises Cervantes
Ulises Cervantes is a 3D character animator and artist from Mexico, currently living in Aguascalientes. He began his career in motion graphics and slowly transitioned to 3D, gaining a range of experience at different companies. He also spent a year at Bardel Entertainment in Canada working as an FX artist on Puss in Boots for Netflix. However, he always had his sights set on becoming an animator and finally achieved his goal when he joined Huevocartoon, where he helped create movies like Un Rescate de Huevitos and Un Gallo Congelado.
He currently works full-time as a freelance animator and collaborates with the US-based video game studio Secret Location, the Mexican advertising studio Ploop, and the Brazilian production studio Brape.
He also runs his own YouTube channel called Cebolla Skin and teaches online classes.
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