Animating 3D Cartoon Characters in Blender
First pass: Goolock softens us 3
A course by Ulises Cervantes , 3D Character Animator and Artist
Joined July 2019
About the video: First pass: Goolock softens us 3
Overview
“Only the last section of Goolock's animation is missing. I'll show you how to make an animation for when your character is chewing. You will see how to carry out certain details that you will perfect later, but that now will help you clarify your idea. At the end of this lesson I will have a very solid first pass of the characters. The goal is that you have the same progress in your project.”
In this video lesson Ulises Cervantes addresses the topic: First pass: Goolock softens us 3, which is part of the Domestika online course: Animating 3D Cartoon Characters in Blender. Learn to bring cartoon-style characters to life through their poses, gestures, and actions using fun and effective tools .
Partial transcription of the video
“Now we are missing the last section. which is the bite. Let's find the sound. This is the spot where I distinctly hear the central part of the chewing sound. Start from here. I hear it here. Let's count a few frames before. it's precisely here So here more connection should already be present. Extending an arm upward and sideways to retrieve the phone from its resting place. Her tiny hands might need adjusting from this point. based on our perspective. Yet. i recall we mentioned they appeared adorable. resembling baby hands dangling as she grasps it. This detail adds charm to the scene. So ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Animating 3D Cartoon Characters in Blender
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Category
3D & Animation -
Software
Blender -
Areas
3D, 3D Animation, Animation, Character Animation

Ulises Cervantes
A course by Ulises Cervantes
Ulises Cervantes is a 3D character animator and artist from Mexico, currently living in Aguascalientes. He began his career in motion graphics and slowly transitioned to 3D, gaining a range of experience at different companies. He also spent a year at Bardel Entertainment in Canada working as an FX artist on Puss in Boots for Netflix. However, he always had his sights set on becoming an animator and finally achieved his goal when he joined Huevocartoon, where he helped create movies like Un Rescate de Huevitos and Un Gallo Congelado.
He currently works full-time as a freelance animator and collaborates with the US-based video game studio Secret Location, the Mexican advertising studio Ploop, and the Brazilian production studio Brape.
He also runs his own YouTube channel called Cebolla Skin and teaches online classes.
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