VR Animation with Quill

We integrate the project to Unreal Engine 2

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

· · · · · · ·

About the video: We integrate the project to Unreal Engine 2

Overview

“Second part of the lesson.”

In this video lesson Federico Moreno Breser addresses the topic: We integrate the project to Unreal Engine 2, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“We integrate the project to Unreal Engine Then in Modes we have everything that is the creation tab. where we can look for basic elements, lights, cameras, visual effects, geometries. Volumes has more to do with calculations, with physics, with a lot of things that we won't see now. Well, here is a general index of everything. And we already have other ways to paint, to edit, to make "landscapes" or terrains, to make "foliage" if we want to show a lot of plants or trees. Anyway, we are not going to do all this now but know that it is there, and it is very powerful what can be done. What the...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.