VR Animation with Quill

VR equipment setup and configuration

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

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About the video: VR equipment setup and configuration

Overview

“In this lesson I am going to teach you step by step how to configure your Occulus Rift or Occulus Rift S VR device. This is a key process to ensure optimal performance when we are immersed in creating universes in Quill.”

In this video lesson Federico Moreno Breser addresses the topic: VR equipment setup and configuration, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“VR equipment setup and configuration In this lesson we will begin to configure and "set" correctly our Oculus Rift S. Make sure the cables are properly connected first. These cables are USB 3 and DisplayPort. Once the machine indicates us with a green light that we are connected, we will move on to inserting the batteries into our controller. It is very easy, since it slides in a simple way because it is magnetized. The batteries that go inside the controller are AA. Now we are going to parent our controls. For that we must press the Y button and the Menu button simultaneously. When the lig...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.