VR Animation with Quill

FX and Particles with AnimBrush

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

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About the video: FX and Particles with AnimBrush

Overview

“AnimBrush is a special and powerful tool that will allow you to appreciate the revolutionary power of working in a VR environment. ”

In this video lesson Federico Moreno Breser addresses the topic: FX and Particles with AnimBrush, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“Fx Particles with AnimBrush In this lesson, we are going to work with particles, FX, and dynamics. Unlike other software, where it can be very tedious, and take a long time, in Quill with AnimBrush it is practically like playing. Let's see it. We are going to work now with the AnimBrush technique, what is this tool that Quill brings us. The AnimBrush is the brush or the "brush" that allows us to animate in a very interesting way and above all it is used for dynamics, particles, for effects ... For example, I am going to create a new "layer". If I give Play to this scene that I have still in...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.