VR Animation with Quill

Music and sound

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

· · · · · · ·

About the video: Music and sound

Overview

“There is no doubt that sound has a weight as important as image in an audiovisual project. In this lesson I am going to teach you how to synchronize and incorporate sounds into our scene. ”

In this video lesson Federico Moreno Breser addresses the topic: Music and sound, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“Music and sound In this lesson we are going to work with a fundamental part of the project, music and sound, for complete immersion. Now I want us to see the way we position our sounds, in this case, the sound effects of the different video games here inside the premises, as we can also put an ambient sound in what would be the outside. An ambient sound that helps us give a more immersive feeling at this dawn, in this neighborhood, so to speak, in this location. We can even play background music too that accompanies throughout the entire short. These are decisions that everyone will have to...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.