VR Animation with Quill

Spawn Area. Adjusting cameras 1

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

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About the video: Spawn Area. Adjusting cameras 1

Overview

“Now we are going to know Spawn Area , the fundamental tool to be able to work with cameras and points of view in Quill . ”

In this video lesson Federico Moreno Breser addresses the topic: Spawn Area. Adjusting cameras 1, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“Spawn area. Adjusting cameras Starting with version 2.0 of Quill, Spawn Area became a fundamental tool for storytelling. We are going to polish our cameras with this tool. The Spawn Area, if we go to the "layers", we can see that there is a "layer" always in all our scenes it says Initial Spawn Area. We activate it. And basically what I see, as soon as I create a scene and I activate the Spawn Area, it is a representation of the position of my computer and Oculus sensors. I am practically focused on that position. This is a bit of what Quill does to understand where on the scene are we stan...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.