VR Animation with Quill

Stop tool: new timeline feature 1

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

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About the video: Stop tool: new timeline feature 1

Overview

“The Stop tool is essential for creating narratives in Quill . ”

In this video lesson Federico Moreno Breser addresses the topic: Stop tool: new timeline feature 1, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“Stop tool: new timeline feature It is the last work step in Quill. In this lesson we are going to see Stop Tool, the new software tool for narrative construction. Well, now it is important that we understand a little more the properties of the Stop Tool, and above all, how it benefits us to work with this tool. Definitely that, when incorporated from version 2.0 of Quill, this opens the field for us absolutely to what it has to do with being able to generate narrative experiences within Quill. To be able to give the viewer the feeling that he is, not just witnessing a situation or a story, ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.