VR Animation with Quill

Introduction to character animation

A course by Federico Moreno Breser , Animation Director and Digital Artist

100% positive reviews (13)

982 students

Audio: Spanish

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About the video: Introduction to character animation

Overview

“We are now ready to start animating our character, but before we dive into animation, I'm going to introduce some concepts to help you better understand and get the most out of the powerful tools that Quill .”

In this video lesson Federico Moreno Breser addresses the topic: Introduction to character animation, which is part of the Domestika online course: VR Animation with Quill. Breathe life into your characters and scenes creating a short film within the virtual reality universe.

Partial transcription of the video

“Introduction to character animation In this lesson we are going to look at character animation. First I will show you some concepts how to work with our "character". Working on animation in Quill, it can be very similar at times to work in stop-motion with our character. If you had the chance to work with a stop-motion doll, they realized that to cheer him up, the way is to move each part of the body, frame by frame. In this case we are digital, we do not have a physical doll. But, in virtual reality and working on Quill, the feeling is very similar, that is, our character we have it in fro...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: VR Animation with Quill

Level: Intermediate
100% positive reviews (13)
982 students
4 units
26 lessons (5h 27m)
8 downloads

Category
3D & Animation
Software
Adobe Photoshop, OctaneRender, Oculus Quill, Unreal Engine
Areas
3D, 3D Animation, 3D Modeling, Animation, Character Animation, Character Design

Federico Moreno Breser

A course by Federico Moreno Breser

Teacher Plus

Animation Director and Digital Artist

Federico Moreno is passionate about the freedom that animation gives him to bring his imagination to life and give shape to a story, compared to other audiovisual fields. With over twenty years of professional experience, he admits today that most of what he has learned was self-taught, after endless hours of practice, tutorials, and videos.

He has directed Mcfly Studio since 2005, a studio specialized in animation and audiovisual production, where his two sides of expertise meet: the artist and producer. In 2012, he founded the animation magazine Moushon!, a project that he led for two years, and Luty Art Studio alongside Nelson Luty, an art department dedicated to conceptual art for the film industry, animation, and video games.