Cartoon-Style Still Life Modeling with Maya
Final score
A course by Albert Valls Punsich , 3D Artist
Joined November 2015
About the video: Final score
Overview
“In this lesson I will teach you four basic concepts of After Effects to finish highlighting your final render and assemble the presentation video of our still life. We'll add the ambient occlusion , play around with color correction, and leave the final image ready for publishing. Finally, I will show you the importance of feedback and self-criticism to improve our models.”
In this video lesson Albert Valls Punsich addresses the topic: Final score, which is part of the Domestika online course: Cartoon-Style Still Life Modeling with Maya. Learn the basic techniques to model and build cartoon-style 3D props.
Partial transcription of the video
“FINAL SCORE In this lesson we are going to look inside After Effects how to organize all your frames to create the "turnaround" or 360 degree video to present your 3D model. We will see how to work the Ambient Occlusion and we'll play with color correction to finish your models. I show you. I already have the render here of all the frames, from 1 to 86, just as we had put it inside Maya, both for the Master Layer, which are our color layers, and our Ambient Occlusion. To mount the video or the "turnaround" now, we are going to do it within the After Effects program. We are going to see some...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Cartoon-Style Still Life Modeling with Maya
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Category
3D & Animation -
Software
Maya -
Areas
3D, 3D Design, 3D Modeling
Albert Valls Punsich
A course by Albert Valls Punsich
From a very young age, Albert Valls was very interested in cinema and art, devouring films, books, manga, and comics all the time. This led him to dream that one day he could create those fantastic worlds he enjoyed so much. Following his passion, he studied Audiovisual and Multimedia Art, and then entered the digital world of 3D, becoming a 3D generalist.
Specializing in modeling and scenario creation for VFX, animation, and television, he has worked both nationally and internationally for several studios. Among which stands out his work in Framestore for big productions such as Avengers: Infinity War, Thor: Ragnarok, and Fantastic Beasts: The Crimes of Grindelwald.
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