Cartoon-Style Still Life Modeling with Maya
Handmade style and level of detail
A course by Albert Valls Punsich , 3D Artist
Joined November 2015
About the video: Handmade style and level of detail
Overview
“In this final lesson on the basics of modeling cartoon I will show you how we can give our models a more natural and organic touch so that they do not look factory-made. We will also talk about the level of detail and how to differentiate between what we can obtain in textures or what we need in modeling to highlight certain aspects. Finally, we will clean the mesh and finalize our wooden fence.”
In this video lesson Albert Valls Punsich addresses the topic: Handmade style and level of detail, which is part of the Domestika online course: Cartoon-Style Still Life Modeling with Maya. Learn the basic techniques to model and build cartoon-style 3D props.
Partial transcription of the video
“HANDMADE STYLE AND LEVEL OF DETAIL In this lesson I will show you the key rationale that I use to model my models, that look "handmade" or handmade, that does not appear to have been made by a machine. In this way you will get much more irregular and stylized models. Let me show you. What is "handmade" or handmade is simply this, give these little deformities to all your elements, that they are not perfect, that a machine has not made them. Leaving aside the irregularities and everything we saw above, this is simply about adding what I call handmade, what is like these very small deformitie...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Cartoon-Style Still Life Modeling with Maya
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Category
3D & Animation -
Software
Maya -
Areas
3D, 3D Design, 3D Modeling
Albert Valls Punsich
A course by Albert Valls Punsich
From a very young age, Albert Valls was very interested in cinema and art, devouring films, books, manga, and comics all the time. This led him to dream that one day he could create those fantastic worlds he enjoyed so much. Following his passion, he studied Audiovisual and Multimedia Art, and then entered the digital world of 3D, becoming a 3D generalist.
Specializing in modeling and scenario creation for VFX, animation, and television, he has worked both nationally and internationally for several studios. Among which stands out his work in Framestore for big productions such as Avengers: Infinity War, Thor: Ragnarok, and Fantastic Beasts: The Crimes of Grindelwald.
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