Sculpting in ZBrush: From Concept Art to the Final Creature

Overview

“Once we have the volumes well defined, we will begin to work in more depth the modeling, starting with detailing the head, which is the most complex and important part.”

In this video lesson Manu Herrador addresses the topic: Shaping the head 1, which is part of the Domestika online course: Sculpting in ZBrush: From Concept Art to the Final Creature. Learn the ideal work methodology to sculpt a character from concept art.

Partial transcription of the video

“Shaping the head Now we will start to delve deeper into the head, which is the most complex and important part of the model. I show you how. Before starting to model the head in detail, what I do with my characters and that I highly advise is not having a super-large mesh, like this one on the body, because although it can be subdivided, there are two and a half million polygons, we will be short of resolution. And if we subdivide it again, we already have 10,200,000, more or less. We keep falling short of detail and the machine is already hobbling a bit. So I advise dividing the model into...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Sculpting in ZBrush: From Concept Art to the Final Creature

• Level: Intermediate
• 96% positive reviews (127)
• 6253 students
• 4 units
• 45 lessons (12h 33m)

• Category

  3D & Animation

• Software

  KeyShot, ZBrush

• Areas

  3D, 3D Character Design, 3D Modeling, Concept Art, Video Games