Introduction to Texture Creation with Substance Designer
Basic Features of Substance Player
A course by Angel Fernandes , Environment Artist
About the video: Basic Features of Substance Player
Overview
“It's time for you to know Substance Player, first cousin of Substance Designer. We will see the software interface and how to create presets using the parameters configured in the previous lesson. ”
In this video lesson Angel Fernandes addresses the topic: Basic Features of Substance Player, which is part of the Domestika online course: Introduction to Texture Creation with Substance Designer. Learn to generate, modify, and render materials for 3D video games and productions.
Partial transcription of the video
“Substance Player In this unit lesson, I will teach you to import your material into Substance Player. We will review your interface and how to create presets. Substance Player is a free software from Allegorithmic, which will allow us to edit our materials in SBSAR format, through the parameters that we have previously configured in Substance Designer We will be able to see the result in the 2D windows and the 3D window, also choose the resolution of the textures and export them, all this without having to open the Graph within Substance Designer. They have to go to the Allegorithmic page a...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Texture Creation with Substance Designer
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Category
3D & Animation -
Software
Adobe Photoshop, Substance Designer -
Areas
3D, 3D Modeling, Video Games

Angel Fernandes
A course by Angel Fernandes
Angel Fernandes is passionate about 3D graphics, the world of video games, and cinema. He has been working in the video-game industry for four years and currently holds the position of Environment Artist at NGD Studios as part of the team responsible for creating AAA scenarios.
He also has a career as a teacher both online and onsite, and his mission is clear: to tell stories through procedural materials and environments.
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