Illustration of 3D Characters on Your iPad
Overpainting and use of 2D textures 2
A course by Román García Mora , Illustrator and 3D Modeler
About the video: Overpainting and use of 2D textures 2
Overview
“We continue to apply photographic textures to get a great deal of detail on our model.”
In this video lesson Román García Mora addresses the topic: Overpainting and use of 2D textures 2, which is part of the Domestika online course: Illustration of 3D Characters on Your iPad. Learn how to design and model 3D creatures with Nomad and turn them into realistic illustrations with Procreate.
Partial transcription of the video
“Overpainting and Use of 2D Textures I’m going to use the Alpha Lock option by sliding the layer to the right with two fingers or by going to the Layers menu and selecting the Lock Alpha option. In this way, I can better outline these lights that we have back here, for example. One of the hardest things to make in 3D is hair, but in this painting phase, it's relatively easy to add a little hair to the character. Just in case, I'll do this in a separate layer. As always, I’m sampling the colors that I have in the image. I'm just going to add a little hair so you can see we can do it this way ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of 3D Characters on Your iPad
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Category
3D & Animation, Illustration -
Software
Procreate -
Areas
3D, 3D Character Design, 3D Modeling, Character Design, Digital Illustration, Digital Painting, Traditional illustration
Román García Mora
A course by Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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