Best seller

Illustration of 3D Characters on Your iPad

Modeling 2

A course by Román García Mora , Illustrator and 3D Modeler

Best seller

99% positive reviews (233)

11,964 students

Audio: Spanish, English

· · · · · · ·

About the video: Modeling 2

Overview

“We continue to model our creature using basic shapes.”

In this video lesson Román García Mora addresses the topic: Modeling 2, which is part of the Domestika online course: Illustration of 3D Characters on Your iPad. Learn how to design and model 3D creatures with Nomad and turn them into realistic illustrations with Procreate.

Partial transcription of the video

“Modeling I will now add the earlobes using a cylinder. I will use this cylinder instead of a ring, as its shape should be, because that way I will have a closed geometry. Since the ring will be pierced by the earrings, you won't notice the difference and that geometry will work much better. I will duplicate this cylinder to create that kind of earrings. I will validate these two cylinders and join them. Now I will do the Mirror. The Mirror doesn’t work now because you are doing it while centered on the object. I will reset so the transformations are done in the center of the world. Now the ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Illustration of 3D Characters on Your iPad

Level: Beginner
99% positive reviews (233)
11964 students
5 units
24 lessons (4h 44m)
8 downloads

Category
3D & Animation, Illustration
Software
Procreate
Areas
3D, 3D Character Design, 3D Modeling, Character Design, Digital Illustration, Digital Painting, Traditional illustration

Román García Mora

A course by Román García Mora

Teacher Plus

Illustrator and 3D Modeler

Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.

His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.