Advanced Concept Art for Science Fiction Productions
Rendering of the selected images. Part 9
A course by Eduardo Pena , Art director and conceptual artist
About the video: Rendering of the selected images. Part 9
Overview
“We are already reaching the end of the process. I will add some elements as a detail and I will make the last color adjustments. At the end we will have the final images for presentation.”
In this video lesson Eduardo Pena addresses the topic: Rendering of the selected images. Part 9, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“Let's go this one here. The process was very similar. pasted all the layers into one and put two on top of FX. I come here, Color Balance, Hue & Saturation. I put a curve to darken some tones. And the signature at the end that is here. As for these characters, what I did was to stylize more the design of the character because it was very 3D. You have to intervene with a little illustration, give it some finer axes and it does not look as 3D because it starts as to break the structure. And start to intervene a little the "costume" or what you have on, how to put on this type of vests. Wh...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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