Advanced Concept Art for Science Fiction Productions
Rendering of the selected images. Part 6
A course by Eduardo Pena , Art director and conceptual artist
About the video: Rendering of the selected images. Part 6
Overview
“Here I continue to add complementary images to the render and adjusting its perspective and color to give it the touch I want to present at the end.”
In this video lesson Eduardo Pena addresses the topic: Rendering of the selected images. Part 6, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“Let's go with this one I try to do it not so simultaneous, but do one by one, good speed, do not complicitate. I use part of the same "plate", only to have the "plate" of the image. The perspective changes here, right ?, so I need, obviously, as a means to modify. And then we'll look for something more that corresponds to that perspective, what's important is first have a "plate" to work with. Keep in mind I'm always going to modify this, I'm going to tell you about that, but, say, we have a force directly there and a force directly there , everything begins to complement with the synergy o...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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