Advanced Concept Art for Science Fiction Productions
Rendering of the selected images. Part 8
A course by Eduardo Pena , Art director and conceptual artist
About the video: Rendering of the selected images. Part 8
Overview
“Here I go to work on my last image, the aerial shot. I will include the scientists and play with textures and color variables to complement the composition.”
In this video lesson Eduardo Pena addresses the topic: Rendering of the selected images. Part 8, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“Now let's move on to the other, which is the last one, which is our aerial shot. There we are going to put the scientists and many elements. We will play a bit with the textures as well. We are going to increase the saturation and the density and we are going to lower the point of light, that generates the point of focal attraction, that is the bright point. The rest is hidden down in the shadows or projection of other ruins that are generating shadows or other volumes. I'm going to make a quick sketch and an application will be as a kind of circles or engravings on the floor. I'm going to ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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