Advanced Concept Art for Science Fiction Productions
Tips and Conclusions
A course by Eduardo Pena , Art director and conceptual artist
About the video: Tips and Conclusions
Overview
“In this last part we are going to organize the package of images to present to our "client". In addition to this I will give you some tips if you want to get closer to the film industry.”
In this video lesson Eduardo Pena addresses the topic: Tips and Conclusions, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“Hello boys! This discipline has many aspects. As I say, it depends on the market you are working on. If you want to work in video games, animation or movies, tend to have the same inclination. We use the same techniques, including the same resources. But the way of working changes a bit. One of the important things ... I open Photoshop ... It's diversification. Here I have an example of a variety of work. Different techniques, different applications and forms ... And it's just personal work. I do not show company work for two reasons. The first, copyright. Some jobs I can not show. Others I...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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