Advanced Concept Art for Science Fiction Productions
Rendering of the selected images. Part 5
A course by Eduardo Pena , Art director and conceptual artist
About the video: Rendering of the selected images. Part 5
Overview
“We will begin to intervene the photographs adding textures and backgrounds to complement the image.”
In this video lesson Eduardo Pena addresses the topic: Rendering of the selected images. Part 5, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“Let's go with the third one. The third has no steps precisely for what our camera is. We don't need so many steps. There are already those three "frames" as we want. We will start doing an intervention with some photos to play a little with textures and photos we will modify within our context What do we do? We already have it as is. These are the images I was commenting on, the ones I leaked to not complicate ourselves anymore, I don't need absolutely anything else. With these I can work. We are going to look for "default" ones that give us a background and there we can start to modify it....”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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