Advanced Concept Art for Science Fiction Productions
Rendering of the selected images. Part 3
A course by Eduardo Pena , Art director and conceptual artist
About the video: Rendering of the selected images. Part 3
Overview
“We already have the first part rendered, now what we will do is look for different points of illumination that will highlight the most important objects of the composition.”
In this video lesson Eduardo Pena addresses the topic: Rendering of the selected images. Part 3, which is part of the Domestika online course: Advanced Concept Art for Science Fiction Productions. Learn the development process of a visual proposal for film productions.
Partial transcription of the video
“We already render the first part. Now let's find another camera, consequently to what we are rendering. So we have this one here, This camera we are going to do here and we are going to pass it to KeyShot. Then we will look for the most suitable lighting point. Our point of light comes from the left side, we will maintain fidelity with this style of light and keep in mind that it will mark certain areas here, that will help us to shape or "shape" to those objects that are essential because they are focal points of attraction and they will illuminate those here. Not everything we have to sol...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Concept Art for Science Fiction Productions
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Category
3D & Animation, Illustration -
Areas
Concept Art, Film

Eduardo Pena
A course by Eduardo Pena
Eduardo Peña is an art director and conceptual designer in the entertainment industry with experience in major film productions such as the Hobbit trilogy, Lucy, Ready Player One and Deadpool 2, among others, as well as having worked as a conceptual artist in the development of Disney theme parks.
Colombian by birth, but currently based in Singapore, Eduardo also serves as a teacher and director of the Entertainmen Design program at the One Academy in Malaysia.
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