Isometric Animation with Illustrator and After Effects

Animating Other Objects 3

A course by Ana Pérez López , Illustrator and Animation Director

100% positive reviews (36)

1,943 students

Audio: English

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About the video: Animating Other Objects 3

Overview

“Here I will show you how to create a null object and adjust it with the speed editor. Then, I will teach you how to use our art delay expression. ”

In this video lesson Ana Pérez López addresses the topic: Animating Other Objects 3, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.

Partial transcription of the video

“ Animating Other Objects One of the things that you might have noticed is that we want for this to happen in a staggering, wavy way. Actually, the one that we want to lead things is Pen number 4. Unfortunately, we cannot copy and paste these frames, but we know one thing that we can do, which is use a null object. We'll try and repeat this situation again. Let's make sure that we delete keyframes in the place where we began where they're all the same. We'll make a new null. We'll move it where it should be, which is somewhere there. Put it in the middle. We'll call it "Pens-Null." We will ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Isometric Animation with Illustrator and After Effects

Level: Beginner
100% positive reviews (36)
1943 students
5 units
31 lessons (7h 22m)
8 downloads

Category
3D & Animation, Illustration
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López

A course by Ana Pérez López

Teacher Plus

Illustrator and Animation Director

Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.

Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.