Isometric Animation with Illustrator and After Effects
Clean Lines 2
A course by Ana Pérez López , Illustrator and Animation Director
About the video: Clean Lines 2
Overview
“Here I will continue modeling how to clean the sketch with the pen tool. Once the pencil outline is finished, I will make groups and arrange them in an appropriate way. Then I will progress to other elements of the illustration, like the crosswalk and light pole. Finally, I will show you another trick of the 3D tool that you can use but without any extrusion. ”
In this video lesson Ana Pérez López addresses the topic: Clean Lines 2, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.
Partial transcription of the video
“ Clean Lines For our pencil, we'll make this and scale it down. We're making sure these are all in the centre. We're scaling this one to make it the tip, but we'll keep it quiet round. Now on a top layer, I'll see where these guys would go. We know that these points, the point and the tip, have to be one object and these other three things have to be one object. Before we go into our Paths panel, I want to make sure that all the points are in the right place. What we have to do is a bit by hand. Make sure it's zoomed really close and make sure that we have them as good as we can. There, th...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Isometric Animation with Illustrator and After Effects
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Category
3D & Animation, Illustration -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López
A course by Ana Pérez López
Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.
Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.
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