Isometric Animation with Illustrator and After Effects
Adding Dimension with Lights and Shadows 2
A course by Ana Pérez López , Illustrator and Animation Director
About the video: Adding Dimension with Lights and Shadows 2
Overview
“In this lesson, we will continue thinking about what kind of lighting we want. To do this, I will show you my process: choosing a darker color and deciding where the shadows should be cast. Then, adding some glows and other small details that will make the piece feel finished. ”
In this video lesson Ana Pérez López addresses the topic: Adding Dimension with Lights and Shadows 2, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.
Partial transcription of the video
“ Adding Dimension with Lights and Shadows We can approach our trees in the same way. If we do one, we'll have the other, it doesn't matter which one we get. Cmd + C and Cmd + V. Make it full blue. When we click this, our little stroke will disappear but it doesn't matter as we can make one later. Oh, it didn't. That's the thing. We want to try and make it without the stroke. It is kind of there. It didn't disappear. If it disappears, don't worry, we'll draw a line. We will Transform it. We will rotate it by hand, but we also want to flip it. Reflect. First, flip it. Then, we do want to see...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Isometric Animation with Illustrator and After Effects
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Category
3D & Animation, Illustration -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López
A course by Ana Pérez López
Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.
Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.
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