Isometric Animation with Illustrator and After Effects
Animating the Main Objects 5
A course by Ana Pérez López , Illustrator and Animation Director
About the video: Animating the Main Objects 5
Overview
“It's time to continue completing the animation of the main object until it's done! ”
In this video lesson Ana Pérez López addresses the topic: Animating the Main Objects 5, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.
Partial transcription of the video
“ Animating the Main Objects We have this ready and now we have our shadows. This shadow goes in there, in between the top line and the top fill. If I'm right. I don't see it. Maybe I'm putting the wrong shadow. It is the wrong shadow. There we go. Now we can see them. The good news is that since everything are shape layers, we can use our Set Matte effect. The first thing that we'll do is use our Set Matte on our shadow. We'll make sure that our Source is the Awning top fill. As you can see, it's clipping that out very nicely. We'll need to move it up and make sure these things are going a...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Isometric Animation with Illustrator and After Effects
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Category
3D & Animation, Illustration -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López
A course by Ana Pérez López
Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.
Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.
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