Isometric Animation with Illustrator and After Effects

Animating the Main Objects 4

A course by Ana Pérez López , Illustrator and Animation Director

100% positive reviews (36)

1,943 students

Audio: English

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About the video: Animating the Main Objects 4

Overview

“Now I will continue the process of animating the main object, but I will focus on the awning of the illustration.”

In this video lesson Ana Pérez López addresses the topic: Animating the Main Objects 4, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.

Partial transcription of the video

“ Animating the Main Objects The first thing that we'll do is click U so that we know the timing and if it's matching the position of these things to the position of that line. We know where we need some keyframes. We know that we need them in both the line and the fill. This is the position of the fill. I'll link that one to the top line so that I only have to put keyframes on the position of only one layer. One frame for position. Then here, I'll take off the shadow so I see what's going on. Somewhere there. That looks about right. Then, we can go back here, which we know it's a hold fram...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Isometric Animation with Illustrator and After Effects

Level: Beginner
100% positive reviews (36)
1943 students
5 units
31 lessons (7h 22m)
8 downloads

Category
3D & Animation, Illustration
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López

A course by Ana Pérez López

Teacher Plus

Illustrator and Animation Director

Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.

Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.