Isometric Animation with Illustrator and After Effects
Clean Lines 3
A course by Ana Pérez López , Illustrator and Animation Director
About the video: Clean Lines 3
Overview
“In this lesson, I will finish explaining how to clean the light pole and, to do this, I will teach you how to use the clipping mask tool. Then, it will be time to complete the main object. I will show you how to clean the windows, trees, and the rest of the details, including the storefront sign. ”
In this video lesson Ana Pérez López addresses the topic: Clean Lines 3, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.
Partial transcription of the video
“ Clean Lines A problem that I'm having is this is a bit bigger than the pole. That has an easy solution. One is to play with this until it's in here. Another thing that we can do, and this is a good tool to know if you're building something more complex, is to use a clipping mask. I'll make this significantly bigger than the pole. Then I'll get the pole and put it right on top. Then we'll make a clipping mask like the one we made for our grid by right-clicking, and then going into Make Clipping Mask. As you can see, it doesn't have a line, so what we'll do is, in our pole, delete the line ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Isometric Animation with Illustrator and After Effects
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Category
3D & Animation, Illustration -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López
A course by Ana Pérez López
Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.
Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.
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- Level: Beginner
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