Handmade Binding without Stitches
Preparation of the skin and decorative paper: chrome tanning
A course by Susana Dominguez Martin , National Artistic Bookbinding Award (Spain, 2017)
Joined April 2018
About the video: Preparation of the skin and decorative paper: chrome tanning
Overview
“The time has come to treat the skins we are going to use on our covers. In this first lesson I will explain how is the treatment with color of a skin treated with chrome tanning. I will also explain the effects that occur when using anilines on paper.”
In this video lesson Susana Dominguez Martin addresses the topic: Preparation of the skin and decorative paper: chrome tanning, which is part of the Domestika online course: Handmade Binding without Stitches. Learn to bind graphic artwork for full-image viewing.
Partial transcription of the video
“Preparing leather and decorative paper: chrome-tanned leather In this lesson, we'll start looking at how to work with one type of leather. This type of leather here, which has this shine, is what we call chrome-tanned leather. Chrome... I couldn't tell you how it's done, I've never had the chance to investigate it but, basically chrome-tanned leather has this shine that you can see here, to a lesser or greater extent. If I wet this leather, that was with saliva, the saliva evaporates but leaves no mark on the leather. We'll see other leather with a type of tanning that we call vegetable tan...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Handmade Binding without Stitches
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Category
Craft -
Areas
Arts & Crafts, Bookbinding, DIY, Fine Arts

Susana Dominguez Martin
A course by Susana Dominguez Martin
As a classically-trained bookbinder, Susana's mission has always been to expand accessibility to this art form by searching for more affordable techniques, in terms of both time and materials, which also lend a contemporary image to the artist's book, beyond that of classic bookbinding. Susana Domínguez's style is characterized by her drive to break new ground while defining her image and seeking solutions to the needs of modern-day bookbinding. She is constantly experimenting with different materials and techniques, learning from fellow artists, and often borrowing from other disciplines.
Her work has received awards in Spain and other EU countries. Since 2006, she has been teaching her craft alongside Guadalupe Roldán at the studio she founded: Códex. Their studio has become an international reference in artistic bookbinding and is a space for exchanging ideas and knowledge where many bookbinders and artists from different nationalities have honed their skills and explored their creative potential.
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