Handmade Binding without Stitches
Coatings and finishes
A course by Susana Dominguez Martin , National Artistic Bookbinding Award (Spain, 2017)
Joined April 2018
About the video: Coatings and finishes
Overview
“In this lesson we will see the different ways to cover the covers and some types of finishing in the binding. We will focus mainly on two types of coating: skin and vinyl paper. I will show you examples of skin types that can be useful for your project, as well as types of specific vinyl papers for binding works, such as those used to wall paper. Any option is valid, as long as we know how to work the material. ”
In this video lesson Susana Dominguez Martin addresses the topic: Coatings and finishes, which is part of the Domestika online course: Handmade Binding without Stitches. Learn to bind graphic artwork for full-image viewing.
Partial transcription of the video
“Covering and finishes In this lesson, we're going to see different ways of covering the covers or finishing off the binding. The inside will always be the graphic artwork that you have printed or worked with, those pieces of paper. Once we have done that and the covers are attached, we need to think about how to cover them. In this course, we're going to study two options for covering, one with leather and another with vinyl paper, two methods that are slightly different in terms of how we cover these covers. As for leather, we all know that leather is expensive. And yes, leather is expensi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Handmade Binding without Stitches
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Category
Craft -
Areas
Arts & Crafts, Bookbinding, DIY, Fine Arts

Susana Dominguez Martin
A course by Susana Dominguez Martin
As a classically-trained bookbinder, Susana's mission has always been to expand accessibility to this art form by searching for more affordable techniques, in terms of both time and materials, which also lend a contemporary image to the artist's book, beyond that of classic bookbinding. Susana Domínguez's style is characterized by her drive to break new ground while defining her image and seeking solutions to the needs of modern-day bookbinding. She is constantly experimenting with different materials and techniques, learning from fellow artists, and often borrowing from other disciplines.
Her work has received awards in Spain and other EU countries. Since 2006, she has been teaching her craft alongside Guadalupe Roldán at the studio she founded: Códex. Their studio has become an international reference in artistic bookbinding and is a space for exchanging ideas and knowledge where many bookbinders and artists from different nationalities have honed their skills and explored their creative potential.
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