Design Thinking for Book Covers and Visual Concepts
Course final project
A course by Catherine Casalino , Book Designer
About the final project for: Design Thinking for Book Covers and Visual Concepts
Design Thinking for Book Covers and Visual Concepts
“Thank you so much for taking my course. Designing covers may seem daunting at first, but I promise you, the more you practice, the easier you will find it and the more enjoyable it will be! I’ve shared with you my creative process, but that doesn’t mean you have to do the exact same thing. Take what goes with your style and workflow. Make as many adaptations to the process as you need. For this course project, you should develop two to three design directions/mock-ups for a book cover design and familiarize yourself with design thinking and the creative process. To begin, pick a book to work on, read it, and take notes. In my case, I picked Misery by Stephen King. Once you’ve read it, start sketching and creating a concept based on your notes. Try to make at least 2-3 sketches.



Partial transcription of the video
“ Final Project Thank you so much for taking my course design thinking for book design. I hope that the creative process I outlined is something you can take with you throughout your career, and that will grow as your toolbox grows. Remember, every book designer, whether they've been at this for one year or 30 years, faces a pile of words and a blank rectangle at the beginning of each project. Turning thousands of words into one visual is not something that happens with the snap of the fingers, no matter your experience. Understanding that book design is a process and breaking it down into ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Design Thinking for Book Covers and Visual Concepts
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Category
Design -
Areas
Art Direction, Editorial Design, Graphic Design, Typography

Catherine Casalino
A course by Catherine Casalino
Book designer Catherine Casalino is the creative director of Casalino Design, an award-winning independent creative studio based in New York City that specializes in book design, print, and branding. Before starting her studio, Catherine worked as an in-house designer and art director for renowned publishers such as Penguin Random House, Simon & Schuster, and Grand Central Publishing.
For over two decades, she has been creating designs for a variety of well-known authors and clients, including Stephen King, A+E Networks, IBM, and The New York Times. Catherine’s designs have received recognition from prestigious organizations and publications such as AIGA, PRINT magazine, Communication Arts, Eye magazine, and the New York Book Show. She has also served as a judge for competitions hosted by associations like the Art Directors Club, the Type Directors Club, and the Association of American University Presses.
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- Level: Beginner
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