Initiation to Concept Art: Designing the Future

Tone and saturation

A course by Guillem H. Pongiluppi , Digital Illustrator and Concept Artist

96% positive reviews (478)

7,709 students

Audio: Spanish, English, French, Italian, Portuguese

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About the video: Tone and saturation

Overview

“In this lesson we will match the tone and saturation of all our layers.”

In this video lesson Guillem H. Pongiluppi addresses the topic: Tone and saturation, which is part of the Domestika online course: Initiation to Concept Art: Designing the Future. Learn to create epic scenes thanks to illustration and digital art.

Partial transcription of the video

“Well. now that we have established the framework for our concept. it is crucial to ensure that the tone and color palette are consistent throughout. Let us begin adjusting these elements to achieve a harmonious fit. We can also finalize any adjustments we deem necessary. For instance. i've just observed this small section here that needs some attention. that I don't quite like. so outside I've also added the character. okay. which I forgot to include in the previous lesson. I'll also provide this as a resource. It's a session I did one day with a friend; I dressed him up a bit and took seve...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Initiation to Concept Art: Designing the Future

Level: Beginner
96% positive reviews (478)
7709 students
5 units
14 lessons (3h 21m)
5 downloads

Category
Illustration
Software
Adobe Photoshop
Areas
Concept Art, Digital Illustration, Photo Retouching, Traditional illustration, Video Games

Guillem H. Pongiluppi

A course by Guillem H. Pongiluppi

Teacher Plus

Digital Illustrator and Concept Artist

Guillem H. Pongiluppi's passion for historical research and virtual archeology has led him to build incredible fantasy worlds and civilizations inspired by dystopian futures and science fiction.

Basing his work on the real world, he uses concept art to imagine and shape all kinds of fictional scenes for the film and video game industry.

He’s worked for companies such as Glassworks, Sega, ILM, Creative Assembly, Bethesda, PlayStation, Mythic Games, Monolith, and publishers like National Geographic. He is also an official illustrator for the Star Wars franchise.