Visual Narrative for Captivating Illustrations
Color, temperature and emotion
A course by Álvaro Cardozo W , Digital Illustrator
About the video: Color, temperature and emotion
Overview
“In this lesson I am going to teach you how to use color to capture emotions through contrasts and combinations, you will see how this narrative element complements and accentuates the work done in composition and lighting. I will teach you how to direct all the elements in scene to the purpose of our image by means of hue, hue and saturation.”
In this video lesson Álvaro Cardozo W addresses the topic: Color, temperature and emotion, which is part of the Domestika online course: Visual Narrative for Captivating Illustrations. Learn how to create digital illustrations applying concepts and tools from the film industry.
Partial transcription of the video
“Color, temperature and emotion Now I will teach you how to inject emotion into your images implementing the gamut and saturation that color gives you. Join me to see it. We will talk about how important color is and its role in the narrative, and why when we talk about color we should talk about temperature and emotion. We consciously react to visual stimuli and one of the biggest stimuli is the perception of color. Color is a property of light and we interpret it individually. The color green It will bring you warm memories of something that happened in your life or it may remind you of so...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Visual Narrative for Captivating Illustrations
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Illustration, Digital Painting, Narrative, Traditional illustration
Álvaro Cardozo W
A course by Álvaro Cardozo W
Álvaro Cardozo is an illustrator from Bogotá, Colombia who invested his time and effort into becoming a digital illustrator, despite initially studying graphic design. After successfully carrying out his first illustration project at university, he was contracted by an animation studio to join their production team, designing scenes, characters, props, and storyboards, until he was eventually promoted to an Art Director position.
He began his freelance career in 2014. Since then, he has worked with advertising agencies, production studios, video game studios, and authors on a range of international projects. His client portfolio includes video game and animation studios like Skew Studio in the UK, Oruga Touching Dreams, and Autobotika, as well as editorial work for Penguin Random House and independent writers. All of his work can be found on his website.
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