Color Theory: Exploration & Application
An Overview of Poster Design 1
A course by Richard Mehl , Color Theory and Poster Design Expert
About the video: An Overview of Poster Design 1
Overview
“In this lesson, you will learn about the history of poster design, from the late 19th to the late 20th century, emphasizing exhibition posters and posters for other cultural events. ”
In this video lesson Richard Mehl addresses the topic: An Overview of Poster Design 1, which is part of the Domestika online course: Color Theory: Exploration & Application. Learn how to apply color theory in graphic design and create stunning visual effects..
Partial transcription of the video
“In the last lesson, we looked at the illusion of transparency. In this lesson, I'll take you on a little tour of poster design. Poster design goes all the way back to the 19th century, over 100 years ago. In the earliest posters were called broadsides. And here's a good example of a broadside. Purely typographic, and they were called broadsides because they were big pieces of paper and printed only on one side, usually in one color. They were used for advertising, for promotion, for announcements, things like this, or a mass meeting in Central Rink, usually to call attention to themselves. ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Color Theory: Exploration & Application
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Category
Design -
Software
Adobe Photoshop -
Areas
Color Theory, Design, Graphic Design
Richard Mehl
A course by Richard Mehl
Richard Mehl is an experienced graphic designer and educator with a deep-rooted passion for color theory and its application in design. He has spent over two decades working in the design industry, where he has honed his skills in creating compelling visual narratives. Richard's expertise lies in exploring the dynamic interplay between color, form, and typography, which he skillfully combines to produce striking poster designs. His work reflects a profound understanding of the principles set forth by influential color theorists such as Johannes Itten and Josef Albers.
As a dedicated teacher, Richard has inspired countless students to embrace the power of color in their creative process. He has taught at prestigious design institutions, where he has shared his insights on the art and science of design. His pedagogical approach emphasizes experimentation and exploration, encouraging students to push the boundaries of traditional design concepts. Richard's commitment to nurturing creativity has earned him recognition as a mentor who fosters innovation and originality. Through his guidance, students learn to harness the transformative potential of color to create visually engaging and meaningful designs.
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