Poetic Image Post-production in Photoshop

Different treatments

A course by Carol Lopes , Photographer and Post-Production Specialist

95% positive reviews (118)

1,847 students

Audio: Portuguese

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About the video: Different treatments

Overview

“In this class, as a way of reviewing the steps we followed in the course, I will open the work process for the essay Recontro, by photographer Livia Aquino.”

In this video lesson Carol Lopes addresses the topic: Different treatments, which is part of the Domestika online course: Poetic Image Post-production in Photoshop. Learn basic color and light treatment techniques and create an aesthetic language in your photo essays.

Partial transcription of the video

“Different treatments In this class, as a way to review the content, let's talk about Lívia Aquino's work. "Recontro" is a project that I loved working with and that, for me, particularly, the result is superdidactic to understand every way I think and imagine what post-production should be like. Lívia was invited to photograph a project in China. At first, she didn't really know what she was going to do, so she took pictures everything that drew attention, just like any photographer normally does, until you find your object that will be developed later. In the process, she realized that her...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Poetic Image Post-production in Photoshop

Level: Beginner
95% positive reviews (118)
1847 students
5 units
15 lessons (1h 56m)
12 downloads

Category
Photography & Video
Software
Adobe Photoshop, Camera Raw
Areas
Color Correction, Digital Photography, Photo Retouching, Photography, Photography Post-production

Carol Lopes

A course by Carol Lopes

Teacher Plus

Photographer and Post-Production Specialist

Carol Lopes is a specialist in image treatment, graduated in Art and Media at the Federal University of Campina Grande (Brazil) and with a Master in Photography at Senac-SP (Brazil). She has worked at N Imagens, managing and being responsible for digitizing, editing, and processing their image collection.

She was part of the Cia de Foto collective where she developed works that questioned how we understand images and, since 2013, she accompanies and guides artists and photographers, both in groups and individually.