Poetic Image Post-production in Photoshop

Histogram

A course by Carol Lopes , Photographer and Post-Production Specialist

95% positive reviews (118)

1,854 students

Audio: Portuguese

· · · · · · ·

About the video: Histogram

Overview

“In this class I will show you how we can read light from a digital image. For this I will present how to use the "histogram" feature. ”

In this video lesson Carol Lopes addresses the topic: Histogram, which is part of the Domestika online course: Poetic Image Post-production in Photoshop. Learn basic color and light treatment techniques and create an aesthetic language in your photo essays.

Partial transcription of the video

“Histogram In this lesson, we’ll understand how to use the histogram, a superimportant graphic for reading the light and shadow of an image. And for that I will use the images of a photographer that I love, João Kehl. Let's see how it works in practice? Before entering the histogram, i will introduce the crack of software that we're going to use here in this course. We will use Bridge, which is nothing more than an image browser. Here on the left side, you will see which is the root of my computer with the subfolders, and once I click on the folder, I see the thumbnail of the images. And onc...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Poetic Image Post-production in Photoshop

Level: Beginner
95% positive reviews (118)
1854 students
5 units
15 lessons (1h 56m)
12 downloads

Category
Photography & Video
Software
Adobe Photoshop, Camera Raw
Areas
Color Correction, Digital Photography, Photo Retouching, Photography, Photography Post-production

Carol Lopes

A course by Carol Lopes

Teacher Plus

Photographer and Post-Production Specialist

Carol Lopes is a specialist in image treatment, graduated in Art and Media at the Federal University of Campina Grande (Brazil) and with a Master in Photography at Senac-SP (Brazil). She has worked at N Imagens, managing and being responsible for digitizing, editing, and processing their image collection.

She was part of the Cia de Foto collective where she developed works that questioned how we understand images and, since 2013, she accompanies and guides artists and photographers, both in groups and individually.