Poetic Image Post-production in Photoshop

Light and shadow reading

A course by Carol Lopes , Photographer and Post-Production Specialist

95% positive reviews (118)

1,848 students

Audio: Portuguese

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About the video: Light and shadow reading

Overview

“In this class I will talk about the importance that we must give to the understanding of the concept of light and shadow within the process of building an image. From examples of works by other artists, we will see several possibilities for the use of light and shadow. ”

In this video lesson Carol Lopes addresses the topic: Light and shadow reading, which is part of the Domestika online course: Poetic Image Post-production in Photoshop. Learn basic color and light treatment techniques and create an aesthetic language in your photo essays.

Partial transcription of the video

“Light and shadow reading In this class, we will understand how the light and the shadow happen in the world. It's super important for the photographer or the image finisher having the sensitivity to see light and shadow, even in situations that are not so evident. I, for example, everything I look at, I see light, shadow and halftone. That is to be able to identify light sensitivities, it is not strong, it is smooth, but it is present. Why is it important for us to know this? Because at the front, when we post-produce an image, I have to be able to see these subtleties, because only then I ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Poetic Image Post-production in Photoshop

Level: Beginner
95% positive reviews (118)
1848 students
5 units
15 lessons (1h 56m)
12 downloads

Category
Photography & Video
Software
Adobe Photoshop, Camera Raw
Areas
Color Correction, Digital Photography, Photo Retouching, Photography, Photography Post-production

Carol Lopes

A course by Carol Lopes

Teacher Plus

Photographer and Post-Production Specialist

Carol Lopes is a specialist in image treatment, graduated in Art and Media at the Federal University of Campina Grande (Brazil) and with a Master in Photography at Senac-SP (Brazil). She has worked at N Imagens, managing and being responsible for digitizing, editing, and processing their image collection.

She was part of the Cia de Foto collective where she developed works that questioned how we understand images and, since 2013, she accompanies and guides artists and photographers, both in groups and individually.