Poetic Image Post-production in Photoshop

What will we do in the course?

A course by Carol Lopes , Photographer and Post-Production Specialist

95% positive reviews (118)

1,848 students

Audio: Portuguese

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About the video: What will we do in the course?

Overview

“In this class I will comment on what we will do during our course. I will talk about the steps we must go through and the tools I recommend using in the post-production process to reach, at the end, what I call "poetic construction of the image". ”

In this video lesson Carol Lopes addresses the topic: What will we do in the course?, which is part of the Domestika online course: Poetic Image Post-production in Photoshop. Learn basic color and light treatment techniques and create an aesthetic language in your photo essays.

Partial transcription of the video

“What we will do in the course In this course, I’ll present and show you one of the ways you how you can use the Adobe Camera Raw and Photoshop fold. Let's see how to develop an aesthetic and language that walks along with your photo shoot. I'll show you a more organic way to think about the flow of image treatment. We will go through some phases, which I call pre-click and post-click. Let's go through understanding light and shadow, understanding of chromaticity. There comes a time when it’s either the capture or you’re looking for an image in the collection, the choice of that material, so...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Poetic Image Post-production in Photoshop

Level: Beginner
95% positive reviews (118)
1848 students
5 units
15 lessons (1h 56m)
12 downloads

Category
Photography & Video
Software
Adobe Photoshop, Camera Raw
Areas
Color Correction, Digital Photography, Photo Retouching, Photography, Photography Post-production

Carol Lopes

A course by Carol Lopes

Teacher Plus

Photographer and Post-Production Specialist

Carol Lopes is a specialist in image treatment, graduated in Art and Media at the Federal University of Campina Grande (Brazil) and with a Master in Photography at Senac-SP (Brazil). She has worked at N Imagens, managing and being responsible for digitizing, editing, and processing their image collection.

She was part of the Cia de Foto collective where she developed works that questioned how we understand images and, since 2013, she accompanies and guides artists and photographers, both in groups and individually.