Poetic Image Post-production in Photoshop

Influences

A course by Carol Lopes , Photographer and Post-Production Specialist

95% positive reviews (118)

1,847 students

Audio: Portuguese

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About the video: Influences

Overview

“In this class I will talk about projects that directly or indirectly influence my work. I will make a list of references both of photographer artists and also of literature and cinema.”

In this video lesson Carol Lopes addresses the topic: Influences, which is part of the Domestika online course: Poetic Image Post-production in Photoshop. Learn basic color and light treatment techniques and create an aesthetic language in your photo essays.

Partial transcription of the video

“Influences In this class, I'll talk a little bit about what feeds me creatively: my references. In addition to artists and photographers, I think that everything around us, everything we consume it should and can be understood as a reference. A good post-producer, he has the sensitivity to be able to capture in your daily experience, small subtleties that he will bring as a reference for his work. The richer your repertoire is, the greater your chance of understanding the other's work. Because, after all, dealing with other people means being around the clock relating to different ideas, di...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Poetic Image Post-production in Photoshop

Level: Beginner
95% positive reviews (118)
1847 students
5 units
15 lessons (1h 56m)
12 downloads

Category
Photography & Video
Software
Adobe Photoshop, Camera Raw
Areas
Color Correction, Digital Photography, Photo Retouching, Photography, Photography Post-production

Carol Lopes

A course by Carol Lopes

Teacher Plus

Photographer and Post-Production Specialist

Carol Lopes is a specialist in image treatment, graduated in Art and Media at the Federal University of Campina Grande (Brazil) and with a Master in Photography at Senac-SP (Brazil). She has worked at N Imagens, managing and being responsible for digitizing, editing, and processing their image collection.

She was part of the Cia de Foto collective where she developed works that questioned how we understand images and, since 2013, she accompanies and guides artists and photographers, both in groups and individually.