Digital 3D Lettering with Illustrated Elements
Rendering
A course by Ana Gomez Bernaus , Visual Artist
Joined December 2021
About the video: Rendering
Overview
“My piece is ready to be rendered! In this lesson, I will review the size, format, resolution, and basic settings for achieving a good result. ”
In this video lesson Ana Gomez Bernaus addresses the topic: Rendering, which is part of the Domestika online course: Digital 3D Lettering with Illustrated Elements. Learn how to combine 3D lettering and illustration to make captivating visual compositions using Photoshop, Illustrator, and Cinema 4D.
Partial transcription of the video
“Rendering Now that the piece is modeled, lit, and textured, let's see the best settings to render it. We are now ready to start prepping for rendering. First, I'll select the OctaneCamera.1 tag, and I'll enable Post processing. With a Bloom power of 110, Cutoff at 3, Glare power at 17, and Glare amount at 3, these settings work for my piece to make the transparent objects reflect light better. Something else that I want to do is go on the Tags, Render Tags, and add a Compositing tag to each one of my groups. On the Compositing tag, under the Object Buffer tab, I can enable them. Each one of...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Digital 3D Lettering with Illustrated Elements
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Category
3D & Animation -
Software
Adobe Illustrator, Adobe Photoshop, Cinema 4D -
Areas
3D, 3D Design, 3D Lettering, 3D Modeling, Digital Lettering, Lettering, Traditional illustration

Ana Gomez Bernaus
A course by Ana Gomez Bernaus
Ana Gomez is a visual artist specializing in 3D. As a child, she loved to draw and wanted to be a painter growing up. She went on to study at design school in Barcelona where, in her final year, she was recommended for a job by her teacher. When her boss took a sabbatical year, she became the leader of the company at just 23 years old. After a few years of working in Barcelona, Ana moved to New York and later Los Angeles where she discovered a passion for 3D.
Since then she has worked on projects including Microsoft Originals, designed several covers for The L. A Times, and has been recognized by institutions like the Type Directors Club, Lürzer's Archive, and more. Ana currently works as an art director at Buck alongside working on freelance lettering-based projects for advertising and editorial clients.
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